In more recent history, I have been slowly but surely cleaning our basement, which includes going through and organizing a number of old boxes. It dawned on me as we approached the tenth anniversary of the 9|11 attacks that back in high school, I went with my father to photograph skyscrapers in New York City for a class project. After looking through a couple of boxes marked "photos," I was able to find a pile of photos of New York and felt it would be a nice tribute to post photos of the World Trade Center.
Most of the photos are in black and white and they were shot with 35mm film. They were probably taken in 1997 or 1998, but I cannot remember. After I scanned the photos, I did a little bit of digital doctoring, but did not want to do too much to them as I think the tones and textures of the imperfect photos give them an air of nostalgia.
This photograph above was one of two photographs of the World Trade Center I chose to have enlarged for my class project. I think I called it Tracks, and I paired it with the photograph below, entitled Chambers WTC, of the World Trade Center subway station. I always felt the photograph of the station had an air of melancholy. Though according to Wikipedia the Chambers WTC subway station survived the 9|11 attacks, I still think there is something sad about the photograph.
I think this photograph epitomizes the typical view of the World Trade Center and is taken from across the Hudson River in New Jersey. Looking back at the photo now, I am struck at the scale and height of the massive towers, easily twice as tall as anything else around them. (Note the Woolworth Building, just to the left of the World Trade Center towers. It was once the world's tallest building!)
If my research is correct, I think this is a view looking south toward the north face of the base of the South Tower from across Tobin Plaza. The sculpture is called Ideogram by artist James Rosati, and was destroyed on 11 September 2001. The 200+ foot broad face width of each square tower easily accepted the full wingspan of the Boeing 767s that hit them in the attacks.
The view up between the towers can only be described as dizzying. It is hard to believe that in 1974, French aerialist Philippe Petit strung a wire between this gap and performed a "dance" between the towers more than a thousand feet above the pavement. (There is a great documentary about Petit's amazing feat called Man on Wire, which I very much recommend.)
Yes, I count myself among the architects who love to take photographs looking up the corner of tall buildings.
Another view up one of the towers through the leaves of a tree on the plaza.
In my attempt to be artistic, I had wanted to document the elevator doors of New York's tallest buildings. I thought it would make a cool series to see how their design and ornament changed over time. After having a difficult time getting permission to photograph in the Empire State Building, Chrysler Building, and Woolworth Building, we were not only allowed to photograph in the World Trade Center lobby, but also to set up a tripod! If you look carefully, you can clearly see the tripod in the photograph. My father and I are also visible in the slightly distorted reflection of the chromed doors.
This photograph of the World Trade Center elevator doors was taken at the moment the doors were either opening or closing, I cannot remember. You can see the ghostly image of people inside the elevator cab, and looking at the photograph now, I am haunted wondering if any of these people were in the towers on 11 September 2001.
We went up to the observation deck on the top of the South Tower that day. Though I cannot remember if it was particularly windy, I do distinctly remember the uneasy feeling of the building moving slightly beneath my feet.
A view north toward Midtown that will never be again, with the Empire State Building front and center. This part of the city has changed significantly in the past ten years, including the addition of the Time Warner Center, New York Times Building, Bank of America Tower, and Hearst Tower to the skyline.
A view south over New York harbor toward the Statue of Liberty.
Another view south toward Governors Island, with the Verrazano Narrows Bridge in the distance.
A view looking west up at the towers from Liberty Street. The steel facade of One Liberty Plaza is in the foreground on the right edge of the photograph. One Liberty Plaza suffered broken windows but no major damage in the 9|11 attacks.
At the end of our trip photographing around Manhattan, my father and I took the ferry back to Jersey City where we had parked and set up the tripod to catch the downtown skyline slipping into the night.
